Skip to content Skip to sidebar Skip to footer
Home / When Does Doug Jones Run Again

When Does Doug Jones Run Again

Post a Comment

2006 dark fantasy movie by Guillermo Del Toro

Pan's Labyrinth
Pan's Labyrinth.jpg

Theatrical release affiche
Directed by Guillermo Del Toro
Written by Guillermo Del Toro
Produced past
  • Guillermo Del Toro
  • Bertha Navarro
  • Alfonso Cuarón
  • Frida Torresblanco
  • Álvaro Augustin
Starring
  • Sergi López
  • Maribel Verdú
  • Ivana Baquero
  • Doug Jones
  • Ariadna Gil
  • Álex Angulo
Narrated by Pablo Adán
Cinematography Guillermo Navarro
Edited by Bernat Vilaplana
Music by Javier Navarrete

Production
companies
  • Telecinco Cinema
  • Estudios Picasso
  • Tequila Gang
  • Esperanto Filmoj
  • Sententia Entertainment
Distributed by Warner Bros. Pictures

Release dates
  • 27 May 2006 (2006-05-27) (Cannes)
  • 11 October 2006 (2006-ten-11) (Spain)
  • 20 October 2006 (2006-x-20) (Mexico)

Running time

 119 minutes[1]
Countries
  • Spain
  • Mexico[2]
Linguistic communication Spanish
Upkeep $19 million[iii]
Box office $83.9 million[three]

Pan's Labyrinth (Spanish: El laberinto del fauno , lit.'The Labyrinth of the Faun') is a 2006 Castilian-Mexican[2] dark fantasy[4] [5] film written, directed and co-produced past Guillermo Del Toro. The flick stars Ivana Baquero, Sergi López, Maribel Verdú, Doug Jones, and Ariadna Gil.

The story takes place in Spain during the summertime of 1944, 5 years after the Spanish Civil War, during the early on Francoist period. The narrative intertwines this real world with a mythical world centered on an overgrown, abased labyrinth and a mysterious faun creature, with whom the chief graphic symbol, Ofelia, interacts. Ofelia's stepfather, the Falangist Captain Vidal, hunts the Spanish Maquis who fight against the Francoist regime in the region, while Ofelia'south meaning female parent Carmen grows increasingly ill. Ofelia meets several foreign and magical creatures who become key to her story, leading her through the trials of the old labyrinth garden. The moving-picture show employs make-up, animatronics, and CGI effects to bring life to its creatures.

Del Toro stated that he considers the story to be a parable, influenced by fairy tales, and that it addresses and continues themes related to his before film The Devil's Backbone (2001),[five] to which Pan's Labyrinth is a spiritual successor, according to del Toro in his managing director's DVD commentary. The original Castilian title refers to the fauns of Roman mythology, while the English language, German and French titles refer specifically to the faun-similar Greek deity Pan. All the same, Del Toro has stated that the faun in the picture show is not Pan.[5]

Pan's Labyrinth premiered on 27 May 2006 at the Cannes Film Festival. The motion picture was theatrically released by Warner Bros. Pictures in Spain on 11 October and in Mexico on 20 October. Pan's Labyrinth opened to widespread critical acclaim, with many praising the visual effects, management, cinematography and performances. It grossed $83 million at the worldwide box office and won numerous international awards, including three Academy Awards, iii BAFTA Awards including All-time Movie Not in the English language, the Ariel Honour for All-time Pic, the Saturn Awards for Best International Movie and Best Functioning past a Younger Thespian for Ivana Baquero and the 2007 Hugo Award for Best Dramatic Presentation, Long Course.

A novelization past Del Toro and Cornelia Funke was published in 2019.

Plot [edit]

In a fairy tale, Princess Moanna, whose male parent is the king of the underworld, visits the human world, where the sunlight blinds her and erases her memory. She becomes mortal and eventually dies. The male monarch believes that eventually, her spirit will render to the underworld, so he builds labyrinths, which human activity equally portals, around the globe in preparation for her return.

In 1944 Francoist Spain, ten-twelvemonth-old Ofelia travels with her significant but sickly female parent Carmen to run across Captain Vidal, her new stepfather. Vidal, the son of a famed commander who died in Morocco, believes strongly in Falangism and has been assigned to hunt down republican rebels. A big stick insect, which Ofelia believes to be a fairy, leads Ofelia into an ancient stone labyrinth, but she is stopped past Vidal's housekeeper Mercedes, who is secretly supporting her brother Pedro and other rebels. That night, the insect appears in Ofelia's bedroom, where it transforms into a fairy and leads her through the labyrinth. There, she meets a faun, who believes she is the reincarnation of Princess Moanna. He gives her a book and tells her she volition detect in it three tasks to complete in lodge for her to learn immortality and render to her kingdom.

Ofelia completes the outset task — retrieving a cardinal from the abdomen of a giant toad — only becomes worried well-nigh her mother, whose status is worsening. The faun gives Ofelia a mandrake root, instructing her to keep it under Carmen'southward bed in a basin of milk and regularly supply it with blood, which seems to ease Carmen's illness. Accompanied by 3 fairy guides and equipped with a piece of magic chalk, Ofelia then completes the second task — retrieving a dagger from the lair of the Stake Human being, a child-eating monster. Although warned not to swallow anything there, she eats 2 grapes, awakening the Pale Human being. He devours two of the fairies and chases Ofelia, but she manages to escape. Infuriated at her defiance, the faun refuses to give Ofelia the third chore.

During this time, Ofelia becomes aware of Vidal's ruthlessness in the course of hunting downwardly the rebels. After he murders ii local farmers detained on false suspicion of aiding the rebels, Vidal interrogates and tortures a convict rebel. He asks Dr. Ferreiro to tend to the captive, whom Ferreiro then euthanises at the rebel's ain urging. Realising that Ferreiro is a insubordinate collaborator, Vidal kills him. Vidal after catches Ofelia disposed to the mandrake root, which he considers delusional. Carmen agrees and throws the root into the fire. She immediately develops painful contractions and dies giving birth to Vidal's son.

Mercedes, having been discovered to be a spy, tries to escape with Ofelia, just they are defenseless. Ofelia is locked in her bedroom, while Mercedes is taken to exist interrogated and tortured. Mercedes frees herself, and stabs Vidal non-lethally in her escape to re-join the rebels. The faun, having changed his mind well-nigh giving Ofelia a chance to perform the 3rd chore, returns and tells her to bring her newborn brother into the labyrinth to complete it. Ofelia successfully retrieves the baby and flees into the labyrinth. Vidal pursues her equally the rebels launch an set on on the outpost. Ofelia meets the faun at the eye of the labyrinth.

The faun suggests drawing a modest corporeality of the babe'south claret, every bit completing the third task and opening the portal to the underworld requires the claret of an innocent, merely Ofelia refuses to harm her brother. Vidal finds her talking to the faun, whom he cannot encounter. The faun leaves, and Vidal takes the babe from Ofelia's arms earlier shooting her. Vidal returns to the labyrinth'due south archway, where he is surrounded by rebels, including Mercedes and Pedro. Knowing that he will be killed, he hands the baby to Mercedes, asking that his son exist told nearly him. Mercedes replies that his son will non even know his proper noun. Pedro and so shoots Vidal expressionless.

Mercedes enters the labyrinth and comforts motionless, dying Ofelia. Drops of Ofelia's blood autumn down the eye of the spiral rock staircase onto an altar. Ofelia, well dressed and uninjured, then appears in a golden throne room. The Rex of the underworld tells her that, by choosing to spill her own claret rather than that of another, she passed the final test. The faun praises Ofelia for her option, addressing her again equally "Your Highness". The Queen of the underworld, her mother, invites Ofelia to sit next to her begetter and rule at his side. Back in the stone labyrinth, Ofelia smiles as she dies in Mercedes' arms.

The epilogue completes the tale of Princess Moanna, stating that she returned to the Underworld, ruled wisely for many centuries, and left quiet traces of her time in the human realm "visible only to those who know where to look."

Bandage [edit]

  • Ivana Baquero as Ofelia / Princess Moanna, a child who comes to believe she is the reincarnation of a princess from the underworld. Del Toro said he was nervous about casting the atomic number 82 role, and that finding the 10-twelvemonth-erstwhile Spanish actress was purely accidental. (The film was shot from June–October 2005, when she was 11.) "The character I wrote was initially younger, about viii or nine, and Ivana came in and she was a lilliputian older than the grapheme, with this curly hair which I never imagined the daughter having. But I loved her start reading, my wife was crying and the camera woman was crying later on her reading and I knew easily down Ivana was the best actress that had shown up, even so I knew that I needed to change the screenplay to suit her age."[6] Baquero says that Del Toro sent her many comics and fairy tales to assist her "go more into the temper of Ofelia and more into what she felt". She says she thought the motion picture was "marvelous", and that "at the same time information technology tin bring you pain, and sadness, and scariness, and happiness".[5]
  • Sergi López as Captain Vidal, Ofelia'due south new stepfather and a Falange officer. Del Toro met with López in Barcelona, a year and a half earlier filming began, to ask him to play Vidal. In parts of Spain, López was considered a melodramatic or comedic player, and the Madrid-based producers told Del Toro, "Y'all should exist very conscientious considering you don't know well-nigh these things considering you're Mexican, but this guy is not going to exist able to deliver the performance"; del Toro replied "Well, it's non that I don't know, it's that I don't care".[7] Of his character, López said: "He is the most evil graphic symbol I've ever played in my career. It is impossible to meliorate upon it; the graphic symbol is so solid and then well written. Vidal is deranged, a psychopath who is incommunicable to defend. Fifty-fifty though his father'due south personality marked his existence—and is certainly ane of the reasons for his mental disorder—that cannot exist an excuse. Information technology would seem to be very contemptuous to utilize that to justify or explain his fell and cowardly acts. I think information technology is great that the moving-picture show does non consider any justification of fascism."
  • Maribel Verdú as Mercedes, Vidal's housekeeper. Del Toro selected Verdú to play the compassionate revolutionary considering he "saw a sadness in her which he thought would be perfect for the part".[7]
  • Doug Jones as the Faun and the Pale Man. As the Faun, Jones guides Ofelia to the fantasy world. Every bit the Pale Man, he plays a grotesque monster with an ambition for children. Jones had previously worked with del Toro on Mimic and Hellboy, and said the director sent him an email saying, "You must be in this film. No i else can play this part but you." Jones responded enthusiastically to an English translation of the script, but then found out the picture show was in Spanish, which he did not speak. Jones says he was "terrified" and del Toro suggested learning the script phonetically, but Jones rejected this, preferring to learn the words himself. He said, "I really, really buckled downwardly and committed myself to learning that give-and-take for word and I got the pronunciation semi-right before I even went in," using the five hours a day he spent getting the costume and brand-up on to practice the words.[8] Del Toro after decided to dub Jones with the vox of Pablo Adán, "an administrative theatre actor", but Jones's efforts remained valuable considering the vox actor was able to lucifer his delivery with Jones's mouth movements.[9] Jones's dual casting is intended to suggest that the Pale Man (along with the toad) is either a creation of the Faun,[ten] or the Faun himself in some other class.[xi]
  • Ariadna Gil as Carmen / Queen of the Underworld, Ofelia's mother and Vidal'due south wife.
  • Álex Angulo as Doctor Ferreiro, a medico in the service of Vidal, but an anti-Francoist.
  • Manolo Solo as Garcés, one of Vidal's lieutenants.
  • César Vea as Serrano, one of Vidal's lieutenants.
  • Roger Casamajor every bit Pedro, Mercedes' brother and one of the rebels.
  • Federico Luppi every bit King of the Underworld, Ofelia's male parent.
  • Pablo Adán every bit Narrator / Vox of Faun.

Product [edit]

Influences [edit]

The idea for Pan's Labyrinth came from Guillermo del Toro's notebooks, which he says are filled with "doodles, ideas, drawings and plot bits". He had been keeping these notebooks for twenty years. At i indicate during product, he left the notebook in a taxi in London and was distraught, but the cabbie returned information technology to him two days afterward. Though he originally wrote a story about a meaning woman who falls in honey with a faun,[12] Sergi López said that del Toro described the final version of the plot a yr and a half before filming. López said that "for ii hours and a one-half he explained to me all the moving picture, only with all the details, information technology was incredible, and when he finished I said, 'Y'all accept a script?' He said, 'No, nothing is written'". López agreed to act in the movie and received the script one year later; he said that "it was exactly the same, information technology was incredible. In his little head he had all the history with a lot of little detail, a lot of characters, like now when you await at the moving-picture show, it was exactly what he had in his head".[13]

Del Toro got the thought of the faun from childhood experiences with "lucid dreaming". He stated on The Charlie Rose Evidence that every midnight, he would wake upwards, and a faun would gradually footstep out from backside the grandfather's clock.[14] Originally, the faun was supposed to be a classic half-man, half-goat faun fraught with beauty. But in the end, the faun was contradistinct into a caprine animal-faced creature most completely fabricated out of globe, moss, vines, and tree bark. He became a mysterious, semi-suspicious relic who gave both the impression of trustworthiness and many signs that warn someone to never confide in him at all.

Del Toro has said the film has stiff connections in theme to The Devil'due south Backbone and should be seen equally an informal sequel dealing with some of the issues raised at that place. Fernando Tielve and Íñigo Garcés, who played the protagonists of The Devil'southward Backbone, make cameo appearances as unnamed guerrilla soldiers in Pan'southward Labyrinth. Some of the other works he drew on for inspiration include Lewis Carroll's Alice books, Jorge Luis Borges' Ficciones, Arthur Machen's The Great God Pan and The White People, Lord Dunsany's The Blessing of Pan, Algernon Blackwood's Pan'southward Garden and Francisco Goya'southward works. In 2004, del Toro said: "Pan is an original story. Some of my favourite writers (Borges, Blackwood, Machen, Dunsany) take explored the figure of the god Pan and the symbol of the labyrinth. These are things that I discover very compelling and I am trying to mix them and play with them."[15] Information technology was also influenced past the illustrations of Arthur Rackham.[16]

Del Toro wanted to include a fairy tale about a dragon for Ofelia to narrate to her unborn brother. The tale involved the dragon, named Varanium Silex, who guarded a mount surrounded by thorns, but at its peak is a blue rose that can grant immortality. The dragon and the thorns ward off many men though, who determine it is better to avoid pain than to be given immortality. Although the scene was thematically important, it was cut short for budget reasons.[17]

There are differing ideas about the film's religious influences. Del Toro himself has said that he considers Pan'southward Labyrinth "a truly profane motion picture, a layman'due south riff on Cosmic dogma", but that his friend Alejandro González Iñárritu described it as "a truly Cosmic film". Del Toro's caption is "once a Catholic, always a Catholic," yet he also admits that the Stake Man's preference for children rather than the banquet in forepart of him is intended as a criticism of the Cosmic Church.[18] Additionally, the priest'south words during the torture scene were taken every bit a directly quote from a priest who offered communion to political prisoners during the Spanish Ceremonious State of war: "Call back my sons, you lot should confess what you know considering God doesn't care what happens to your bodies; He already saved your souls."[xix] [20]

In regard to whether or not the fantasy underworld was real or a production of Ofelia'southward imagination, del Toro stated in an interview that, while he believes it is real, the film "should tell something dissimilar to everyone. It should be a matter of personal discussion". He then mentioned in that location were several clues in the moving-picture show indicating the underworld was indeed real.[11]

The movie was shot in a Scots Pine wood situated in the Guadarrama mountain range, Central Spain. Guillermo Navarro, the managing director of photography, said that "after doing work in Hollywood on other movies and with other directors, working in our original language in different scenery brings me back to the original reasons I wanted to make movies, which is basically to tell stories with consummate freedom and to let the visuals actually contribute to the telling of the story".[21]

The pale human being'due south optics on his easily is a characteristic shared by the Japanese mythological monster the Tenome (a name which means "mitt eyes").

Effects [edit]

Pan'southward Labyrinth employs some calculator-generated imagery in its effects, simply mostly uses complex make-up and animatronics. The giant toad was inspired by The Maze. Del Toro himself performed the noises. The mandrake root is a combination of animatronics and CGI. Del Toro wanted the fairies "to look like little monkeys, like dirty fairies", but the animation company had the idea to give them wings made of leaves.[22]

Jones spent an average of five hours sitting in the makeup chair equally his team of David Martí, Montse Ribé and Xavi Bastida applied the makeup for the Faun, which was more often than not latex foam. The last slice to be applied was the pair of horns, which weighed ten pounds and were extremely tiring to wear. The legs were a unique design, with Jones standing on 20-cm-high lifts (viii in), and the legs of the Faun fastened to his own. His lower leg was eventually digitally erased in post production. The Faun'due south flapping ears and blinking eyes were remotely operated past David Martí and Xavi Bastida from DDT Efectos Especiales while on set. Del Toro told Jones to "go rock star ... like a glam rocker. Merely less David Bowie, more Mick Jagger".[22]

The Helm'south room, as shown in the scene where Captain Vidal is shaving, is supposed to resemble his father's watch, which del Toro says represents his troubled mind.[ citation needed ]

A bout of weight loss on Del Toro'due south part inspired the concrete appearance of the saggy-skinned Pale Man.[23] In order to see while performing the part, Doug Jones had to look out of the character'south nostrils, and its legs were attached to Jones over the light-green leotard which he wore.[24]

Subtitles [edit]

The movie uses subtitles for its translation into other languages, including English. Del Toro wrote them himself, because he was disappointed with the subtitles of his previous Castilian film, The Devil's Backbone. In an interview, he said that they were "for the thinking impaired" and "incredibly bad". He spent a month working with two other people, and said that he did not want it to "feel like... watching a subtitled pic".[25]

Distribution [edit]

Pan's Labyrinth was premiered at the 2006 Cannes Picture Festival on 27 May 2006. Its first premiere in an English language-speaking country was at the London FrightFest Film Festival on 25 August 2006. Its offset general release was in Spain on 11 October 2006, followed past a release in Mexico nine days later on. On 24 Nov 2006 information technology had its first general English release in the Britain; that calendar month it was likewise released in France, Serbia, Belgium, Italy, Russia, Singapore and Southward Korea. It had a limited release in Canada and the United states of america on 29 December 2006, in Commonwealth of australia on xviii January 2007, in Taiwan on 27 April 2007, in Slovenia on 17 May 2007 and in Nippon on 29 September 2007. Its widest release in the United states of america was in one,143 cinemas.[26]

The film was released on DVD on 12 March 2007 in the Uk by Optimum Releasing in a 2-disc special edition. The film was released in the United States on 15 May 2007 from New Line Home Entertainment in both unmarried-disc and double-disc special edition versions, featuring an boosted DTS-ES sound rail non nowadays on the U.k. version. Additionally, the film received a special express edition release in South Korea and Deutschland. Only 20,000 copies of this edition were manufactured. It is presented in a digipak designed to look similar the Book of Crossroads. The Korean kickoff edition contains two DVDs along with an art volume and replica of Ofelia's key. The German special express edition contains three DVDs and a book containing the movie'due south storyboard. Pan's Labyrinth was released for download on 22 June 2007 from Channel 4'southward on-demand service, 4oD.

High definition versions of Pan'due south Labyrinth were released in Dec 2007 on both Blu-ray Disc and Hd DVD formats. New Line stated that due to their announcement of supporting Blu-ray exclusively, thus dropping Hd DVD support with immediate event, Pan's Labyrinth would be the only Hd DVD release for the studio, and would be discontinued after current stock was depleted.[27] Both versions had a PiP commentary while web extras were sectional to the HD DVD version.[28] [29] In October 2016, The Criterion Drove re-released the motion-picture show on Blu-ray in the United states of america, based on a newly graded 2K digital master supervised past Del Toro. An Ultra Hard disk drive Blu-ray edition of the film was released on October 1, 2019, by Warner Bros. Home Entertainment remastered for 4K.[30]

Reception [edit]

Ivana Baquero and Guillermo del Toro at the Elgin Theatre in Toronto

Rotten Tomatoes gives the picture show a score of 95% based on 236 reviews and an boilerplate rating of viii.61/ten. The site's consensus reads: "Pan's Labyrinth is Alice in Wonderland for grown-ups, with the horrors of both reality and fantasy blended together into an boggling, spellbinding fable."[31] Based on reviews from 37 critics, information technology received a 98/100 score at Metacritic, indicating "universal acclaim",[32] making information technology Metacritic'southward best-reviewed motion-picture show of the 2000s decade.[33] At its Cannes Film Festival release, it received a 22-minute standing ovation, one of the longest in the festival'due south history.[34] Information technology also received a standing ovation at the 2006 Toronto International Film Festival,[35] its first release in the Americas.

Mark Kermode, in The Observer, labeled Pan's Labyrinth as the best moving-picture show of 2006, describing it every bit "an ballsy, poetic vision in which the grim realities of war are matched and mirrored by a descent into an underworld populated by fearsomely cute monsters".[36] Stephanie Zacharek wrote that the picture "works on then many levels that it seems to alter shape even equally you sentinel it",[37] and Jim Emerson called the flick "a fairy tale of such say-so and crawly beauty that information technology reconnects the developed imagination to the primal thrill and horror of the stories that held usa spellbound every bit children".[38] Roger Ebert reviewed the film afterwards his surgery and put information technology on his Great Movies list on 27 August 2007;[39] when he compiled his belated top ten films of 2006, Pan'south Labyrinth was #1, with him stating "But fifty-fifty in a adept year I'm unable to see everything. And I'k withal not finished with my 2006 discoveries. I'one thousand still looking at more 2007 movies, as well, and that list volition run as usual in belatedly Dec. Nothing I am likely to see, however, is likely to change my conviction that the year's all-time film was Pan'south Labyrinth."[40] The New Yorker's Anthony Lane took special annotation of the movie's sound design, saying information technology "discards any hint of the ethereal by turning up the volume on small, supercharged noises: the creak of the Captain'due south leather gloves... the dark complaints of floorboard and rafter...."[41]

Some reviewers had criticisms. For The San Diego Spousal relationship-Tribune, David Elliott said "the excitement is tangible", but added that "what it lacks is successful unity ... Del Toro has the art of many parts, but only makes them cohere as a sort of fevered caricature".[42] ' Bourgeois commentator Ross Douthat criticized the films portrayal of the political factions of the Spanish Civil State of war, proverb "López makes what he can of the character of Vidal, turning a cardboard villain into a memorable monster, only the moving picture's politics are about every bit deep equally a pool of blood. The fascists are beasts who torture, maim, and kill without compunction, before sitting downwards to fine dinners with local grandees and corrupt clerics; the Communists in the wood, on the other manus, are a heroic lot, sturdy and kindhearted and ethically pure, like figures out of, well, Communist propaganda. The only thing such caricatures deepen is our understanding of predictable left-wing bias in Western cinema."[43]

During its limited offset three weeks at the United States box office, the movie fabricated $5.4 million. As of 1 March 2007, it has grossed over $37 million in North America, and grossed $80 one thousand thousand worldwide.[26] In Spain, it grossed almost $12 million, and it is the 5th highest domestically grossing foreign motion-picture show in the Usa.[26] In the United states of america, information technology has generated $55 one thousand thousand from its DVD sales and rentals.[26] [44]

Awards and nominations [edit]

Metacritic named it the best reviewed motion-picture show of the decade" in 2010.[52] Information technology is #17 on the BBC list of all-time 100 films of the 21st century.[53]

Top ten lists [edit]

The film appeared on many critics' elevation ten lists of the all-time films of 2006.[54]

Ranked No. 5 in Empire magazine's "The 100 All-time Films of World Movie house" in 2010.[55]

Comparisons to other films [edit]

Spanish films [edit]

Del Toro himself has indicated similarities with The Spirit of the Beehive, filmed in Francoist Spain, which juxtaposes issues related to the Ceremonious War with horror film.[56] [57] At to the lowest degree one critic has made a connection to a second Castilian movie, Cría Cuervos (1975, Carlos Saura), again made while Franco was nonetheless in power. Doug Cummings (Film Journeying 2007) identifies the connection betwixt Cria Cuervos, Spirit of the Beehive and Pan's Labyrinth: "Critics have been summarily referencing Spirit of the Beehive (1973) in reviews of Pan'southward Labyrinth, just Saura's film–at one time a sister work to Erice's classic in theme, tone, even shared actress (Ana Torrent)–is no less rich a reference point."[58]

Non-Spanish films [edit]

In a 2007 interview, del Toro noted the striking similarities between his picture show and Walt Disney Pictures' The Chronicles of Narnia: both films are set around the same time, take like child-age chief characters, mythic creatures (particularly the fauns), and themes of "disobedience and choice". Says del Toro: "This is my version of that universe, not merely 'Narnia', but that universe of children's literature."[59] In fact, del Toro was asked to direct The Chronicles of Narnia: The Lion, the Witch and the Wardrobe merely turned it down for Pan's Labyrinth.[59] In add-on to Narnia, Pan's Labyrinth has also been compared to films such equally Labyrinth, MirrorMask, Spirited Away and Bridge to Terabithia.[56] [60]

Soundtrack [edit]

Pan'south Labyrinth
Pan'slabyrinthsndtrk.jpg
Soundtrack album by

Javier Navarrete
Released 19 December 2006
Genre Contemporary classical
Label Milan Entertainment
Producer Emmanuel Chamboredon,
Ian P. Hierons

The score for Pan'due south Labyrinth by Spanish composer Javier Navarrete was nominated for an Academy Laurels.[61] Information technology was entirely structured around a lullaby, and del Toro had the entire score included on the soundtrack anthology, even though much of information technology had been cut during production.[62] The anthology was released on xix Dec 2006.[62] Its encompass fine art was an unused Drew Struzan promotional poster for the film.

  1. "Long, Long Fourth dimension Ago (Hace mucho, mucho tiempo)" – ii:14
  2. "The Labyrinth (El laberinto)" – 4:07
  3. "Rose, Dragon (La rosa y el dragón)" – three:36
  4. "The Fairy and the Labyrinth (El hada y el laberinto)" – 3:36
  5. "Three Trials (Las tres pruebas)" – 2:06
  6. "The Moribund Tree and the Toad (El árbol que muere y el sapo)" – seven:12
  7. "Guerrilleros (Guerrilleros)" – 2:06
  8. "A Book of Blood (El libro de sangre)" – 3:47
  9. "Mercedes Lullaby (Nana de Mercedes)" – one:39
  10. "The Refuge (El refugio)" – 1:32
  11. "Not Human (El que no es humano)" – 5:55
  12. "The River (El río)" – 2:fifty
  13. "A Tale (United nations cuento)" – 1:55
  14. "Deep Forest (Bosque profundo)" – five:48
  15. "Flit of the Mandrake (Vals de la mandrágora)" – iii:42
  16. "The Funeral (El funeral)" – 2:45
  17. "Mercedes (Mercedes)" – 5:37
  18. "Pan and the Full Moon (La luna llena y el fauno)" – 5:08
  19. "Ofelia (Ofelia)" – 2:19
  20. "A Princess (Una princesa)" – 4:03
  21. "Pan's Labyrinth Lullaby (Nana del laberinto del fauno)" – one:47

Cancelled sequel [edit]

In November 2007, del Toro confirmed that a sequel, titled 3993, was in product.[63] However, del Toro scrapped the project after deciding to direct Hellboy Two: The Golden Army.[64]

References [edit]

  1. ^ "EL LABERINTO DEL FAUNO – PAN'South LABYRINTH (15)". British Lath of Film Classification. 6 July 2006. Retrieved 13 April 2013.
  2. ^ a b (78% Spanish production, 22% Mexican production) "EL LABERINTO DEL FAUNO" (PDF) . Retrieved 21 June 2015.
  3. ^ a b "Pan's Labyrinth (2006) - Box Part Mojo". boxofficemojo.com. Archived from the original on 16 September 2017. Retrieved 6 April 2018.
  4. ^ Shafer, Craig (18 January 2007). "Amazing journey: Fantasy both frightening and beautiful lurks in this award-winning labyrinth". The New Times SLO . Retrieved 24 January 2007.
  5. ^ a b c d Spelling, Ian (25 December 2006). "Guillermo Del Toro and Ivana Baquero escape from a civil war into the fairytale land of Pan'south Labyrinth". Science Fiction Weekly. Archived from the original on 9 June 2008. Retrieved 27 January 2007.
  6. ^ Fischer, Paul (26 September 2006). "Sectional Interview: Guillermo del Toro "Pan's Labyrinth"". Dark Horizons. Archived from the original on 5 July 2009. Retrieved 28 January 2007.
  7. ^ a b Stone, Sasha (eleven January 2007). "Pan'due south Labyrinth: A Story that Needed Guillermo Del Toro". Awards Daily. Archived from the original on 26 Jan 2008. Retrieved 2 January 2018.
  8. ^ Topel, Fred (27 December 2006). "Doug Jones En Espanol". CanMag. Retrieved 27 January 2007.
  9. ^ Eisner, Ken (11 May 2016). "Labyrinth's faun unmasked". directly.com. Retrieved xi May 2016.
  10. ^ Prokopy, Steve "Capone" (10 January 2007). "Capone chats with Abe Sapien, The Faun, The Old Man and The Silvery Surfer!!! The Ultimate Man In Suit Chats PAN'S LABYRINTH". aintitcool.com . Retrieved eleven September 2012.
  11. ^ a b Guillen, Michael (17 December 2006). "PAN'S LABYRINTH—Interview With Guillermo Del Toro". twitchfilm.com. Archived from the original on 29 September 2012. Retrieved 11 September 2012.
  12. ^ Lamble, David (four January 2007). "The world of the labyrinth". Bay Area Reporte. Retrieved 20 July 2007.
  13. ^ Topel, Fred (2 Jan 2007). "Sergi Lopez on Pan'south Labyrinth". CanMag. Retrieved 27 Jan 2007.
  14. ^ Pan'south Labyrinth DVD, U.S.
  15. ^ Del Toro message board, Answers Archive Midweek Nov 24, 2004 i:27 am Archived 27 September 2007 at the Wayback Machine, repost from elsewhere; Retrieved on 20 Baronial 2007.
  16. ^ del Toro, Guillermo (17 November 2006). "Pan'southward people". The Guardian. London. Retrieved nine July 2007.
  17. ^ Guillermo del Toro (15 October 2008). "Svnt Dracones". John Howe's official website. Archived from the original on three May 2014. Retrieved fifteen October 2008.
  18. ^ Guillermo Del Toro, Pan's Labyrinth: Inside the Creation of a Modern Fairy Tale (Harper Blueprint, 2016)
  19. ^ Guillermo Del Toro, Pan'due south Labyrinth: Inside the Creation of a Mod Fairy Tale (Harper Pattern, 2016).
  20. ^ "Pan's Labyrinth". Intersecting . Retrieved 4 May 2017.
  21. ^ "Fear and Fantasy". American Cinematographer. Jan 2007. Archived from the original on 11 May 2007. Retrieved 17 June 2007.
  22. ^ a b Wloszczyna, Susan (fourteen March 2007). "Surprises lurk inside Pan's Labyrinth". Us Today . Retrieved twenty July 2007.
  23. ^ Cruz, Gilbert. "10 Questions: Filmmaker Guillermo del Toro on the politics of horror movies, living in cocky-imposed exile and owning a man cave". Time magazine. 5 September 2011. page fourscore.
  24. ^ Fischer, Russ (18 February 2007). "INTERVIEW: DOUG JONES (PAN'Due south LABYRINTH)". Retrieved 27 May 2019.
  25. ^ "Guillermo Del Toro - Labyrinth Managing director Wrote His Own Subtitles", contactmusic.com, 13 Feb 2007. Retrieved on 25 March 2008.
  26. ^ a b c d "Pan's Labyrinth (2006)". Box Office Mojo . Retrieved 12 Feb 2007.
  27. ^ Bracke, Peter (8 Jan 2008). "New Line Details Transition to Blu-ray". HighDefDigest. Retrieved 25 March 2008.
  28. ^ "High-Def Assimilate Blu-ray review of Pan'south Labyrinth". 26 December 2007. Retrieved 23 April 2008.
  29. ^ "High-Def Digest Hard disk drive DVD review of Pan's Labyrinth". 26 December 2007. Retrieved 23 April 2008.
  30. ^ "Pan'southward Labyrinth releasing to 4K Ultra HD Blu-ray". Hard disk Report. 4 May 2019. Retrieved four May 2019.
  31. ^ "Pan's Labyrinth". Rotten Tomatoes. Flixster. Retrieved 24 November 2008.
  32. ^ "Pan's Labyrinth (2006)". Metacritic. CBS. Retrieved 24 January 2007.
  33. ^ Dietz, Jason (17 Dec 2009). "The Best Movies of the Decade". Metacritic . Retrieved 3 May 2012.
  34. ^ Rodriguez, Rene (16 January 2007). "Managing director keeps Hollywood out of "Pan's Labyrinth"". The Seattle Times. Miami Herald. Retrieved 25 July 2007.
  35. ^ "Pan's Labyrinth Receives Standing Ovation at Toronto Moving picture Fest". FirstShowing.Net. xi September 2006. Retrieved xx August 2007.
  36. ^ Kermode, Marking (5 September 2006). "Hurting should not be sought – but it should never be avoided". The Observer. London. Retrieved 25 Jan 2007.
  37. ^ Zacharek, Stephanie (13 Oct 2007). "Pan's Labyrinth". Salon.com. Archived from the original on 5 Jan 2007. Retrieved 25 January 2007.
  38. ^ Emerson, Jim (29 December 2006). "Pan's Labyrinth". Chicago Sun-Times . Retrieved 25 January 2007.
  39. ^ Ebert, Roger (27 September 2007). "Pan's Labyrinth". Chicago Sun Times . Retrieved 27 August 2007.
  40. ^ Ebert, Roger (23 Nov 2007). "The All-time Movies of 2006". Chicago Sun Times . Retrieved 23 November 2007.
  41. ^ Lane, Anthony (viii January 2007). "The Current Cinema". The New Yorker.
  42. ^ Elliott, David (11 Jan 2007). "Artist in charge". The San Diego Union-Tribune. Archived from the original on 10 Feb 2007. Retrieved 25 January 2007.
  43. ^ Larison, Daniel (thirty January 2007). "A Snide Moral Pose Everyone Can Enjoy". The American Conservative . Retrieved 28 January 2022.
  44. ^ "Top-Selling DVD Titles in the U.s. 2007". The Numbers . Retrieved 4 May 2017.
  45. ^ "Latest winners & Nominees". British University of Film and Telly Arts. Archived from the original on 24 January 2007. Retrieved 23 May 2007.
  46. ^ "Gilt Earth Nominations and Winners". Hollywood Strange Press Clan. Archived from the original on 14 May 2007. Retrieved 23 May 2007.
  47. ^ "'El Laberinto del Fauno', ganadora del Premio Cinematográfico José María Forqué". La Vanguardia. 9 May 2007.
  48. ^ "Spaceys 06; Space Choice". SpaceCast. Archived from the original on 24 June 2007. Retrieved 20 July 2007.
  49. ^ "The Constellation Awards – A Canadian Award for Excellency in Scientific discipline Fiction Film and Television". Retrieved 12 July 2007.
  50. ^ "2007 Hugo Awards". Globe Science Fiction Social club. ane September 2007. Retrieved 1 September 2007.
  51. ^ David Due south. Cohen (x May 2007). "'Superman' tops Saturns". Variety . Retrieved 20 August 2007.
  52. ^ "Ten Years of Metacritic: The Best (and Worst) Movies of the Decade". Retrieved 4 May 2017.
  53. ^ "The 21st Century'southward 100 greatest films". BBC. 23 August 2016. Retrieved four May 2017.
  54. ^ "Metacritic: 2006 Film Critic Top Ten Lists". Metacritic. Archived from the original on 13 December 2007. Retrieved 8 January 2008.
  55. ^ "The 100 Best Films Of World Cinema | v. Pan's Labyrinth". Empire.
  56. ^ a b Walters, Ben (21–28 November 2006). "Pan'due south Labyrinth Film Review". Time Out . Retrieved 24 January 2007.
  57. ^ "Exterior The Frame: Guillermo Del Toro Interview Part 1". ThePhoenix.com. eleven Jan 2007. Archived from the original on xix Jan 2008. Retrieved 28 January 2007.
  58. ^ Cummings, Doug (31 March 2007). "Cria cuervos". Pic Journey. Archived from the original on 14 Apr 2013. Retrieved 23 August 2010.
  59. ^ a b "Del Toro crafts a harrowing fairy tale". Star Beacon. 29 December 2006. Archived from the original on 11 September 2012. Retrieved 28 March 2007.
  60. ^ "Bridge to Terabithia a Pan's Labyrinth for Kids". Retrieved 23 Feb 2007.
  61. ^ "79th Annual Academy Awards Nominees and Winners". Academy Awards. Archived from the original on 1 May 2007. Retrieved 23 May 2007.
  62. ^ a b "Pan's Labyrinth soundtrack overview". AllMusic.com. Retrieved 4 February 2007.
  63. ^ "Guillermo Del Toro's 3993 Details... – ComingSoon.net". viii November 2007. Retrieved four May 2017.
  64. ^ "Pan'due south Labyrinth: 15 Things Yous Never Knew". x Jan 2017. Retrieved 6 Nov 2018.

External links [edit]

  • Pan's Labyrinth at Discogs (list of releases)
  • Pan'southward Labyrinth at IMDb
  • Pan's Labyrinth at Box Office Mojo
  • Pan'south Labyrinth at Rotten Tomatoes
  • Pan's Labyrinth at Metacritic
  • Pan's Labyrinth Archived 6 December 2008 at the Wayback Machine article exploring escapism in the film in The Internet Review of Science Fiction
  • Guillermo Del Toro interview talking virtually Pan's Labyrinth, by Michael Mann for ion magazine
  • Weavers of Dreams – The Magical Earth of Pan'due south Labyrinth at The Doug Jones Experience
  • Pan's Labyrinth: The Heart of the Maze an essay by Michael Atkinson at the Criterion Collection

silversteinhishat.blogspot.com

Source: https://en.wikipedia.org/wiki/Pan%27s_Labyrinth

You may like these posts

Post a Comment for "When Does Doug Jones Run Again"