Anselm Kiefers Paintings Follow Which Philosophers Definition of Art?
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Anselm Kiefer's awe-inspiring body of work represents a microcosm of collective retentiveness, visually encapsulating a broad range of cultural, literary, and philosophical allusions—from the Erstwhile and New Testaments, Kabbalah mysticism, Norse mythology and Wagner'south Band Cycle to the poetry of Ingeborg Bachmann and Paul Celan.
Built-in during the closing months of World War Ii, Kiefer reflects upon Federal republic of germany's post-war identity and history, grappling with the national mythology of the Third Reich. Fusing art and literature, painting and sculpture, Kiefer engages the complex events of history and the ancestral epics of life, death, and the creation. His boundless repertoire of imagery is paralleled just by the breadth of media palpable in his work.
Kiefer'south oeuvre encompasses paintings, vitrines, installations, artist books, and an array of works on paper such as drawings, watercolors, collages, and altered photographs. The physical elements of his exercise—from atomic number 82, physical, and drinking glass to textiles, tree roots, and burned books—are as symbolically resonant as they are vast-ranging. By integrating, expanding, and regenerating imagery and techniques, he brings to calorie-free the importance of the sacred and spiritual, myth and retention.
Anselm Kiefer was born in 1945 in Donaueschingen, Germany. Later on studying law and Romance languages, he attended the Schoolhouse of Fine Arts at Freiburg im Breisgau and the Art Academy in Karlsruhe while maintaining a contact with Joseph Beuys.
Kiefer's piece of work has been shown and collected by major museums worldwide, including the post-obit: "Bilder und Bücher," Kunsthalle Bern, Switzerland (1978); "Verbrennen, verholzen, versenken, versanden," West German Pavilion, 39th Biennale di Venezia, Italian republic (1980); "Margarete—Sulamith," Museum Folkwang, Frg (1981); Kunsthalle Düsseldorf, Frg (1984, traveled to ARC Musée d'Art Moderne de la Ville de Paris, France; and Israel Museum, Jerusalem); "Peintures 1983–1984," Musée d'Art Contemporain, Bordeaux (1984); and Art Plant of Chicago, Illinois (1987, traveled to Philadelphia Museum of Art, Pennsylvania; Museum of Gimmicky Fine art, Los Angeles; and Museum of Modern Fine art, New York, through 1989).
Further museum exhibitions include "Bücher 1969–1990," Kunsthalle Tübingen, Germany (1990, traveled to Kunstverein München, Frg; and Kunsthaus Zürich, Switzerland, through 1991); Neue Nationalgalerie Berlin, Germany (1991); "Melancholia," Sezon Museum of Art, Tokyo (1993, traveled to Kyoto National Museum of Fine art, Nippon; and Hiroshima Museum of Gimmicky Art, Japan); "Himmel-Erde," Museo Correr, Venice (1997); and "El viento, el tiempo, el silencio," Museo Nacional Centro de Arte Reina Sofía, Madrid (1998).
In recent years, Anselm Kiefer's solo exhibitions have included Guggenheim Museum Bilbao, Spain (2000); "Maleri 1998–2000," Louisiana Museum of Modern Art, Humlebkæk, Denmark (2001); "Dice sieben Himmelspaläste," Fondation Beyeler, Basel (2001); "I sette palazzi celesti," Fondazione Pirelli, Milan (2004); "Sky and Globe," Modern Art Museum of Fort Worth, Texas (2005, traveled to Musée d'Fine art Contemporain de Montréal, Québec; Hirshhorn Museum and Sculpture Garden, Washington D.C.; and San Francisco Museum of Modern Fine art, California, through 2007); Guggenheim Museum Bilbao, Spain (2007); "Sternenfall / Chute d'étoiles," Monumenta, Chiliad Palais, Paris (2007); "Anselm Kiefer au Louvre," Musée du Louvre, Paris (2007); Louisiana Museum of Modern Art, Humlebkæk, Denmark (2010); "Shevirat Hakelim," Tel Aviv Museum of Art, Israel (2011); "Beyond Landscape," Albright-Knox Art Gallery, Buffalo (2013); Royal Academy of Arts, London (2014); "50'alchimie du livre," Bibliothèque Nationale de France, Paris (2015); Heart Georges Pompidou, Paris (2015); "Kiefer Rodin," Musée Rodin, Paris (2017, traveled to the Barnes Foundation, Philadelphia, through 2018); "For Velimir Khlebnikov — Fates of Nations," State Hermitage Museum, Leningrad (2017); and "Provocations," The Met Breuer, New York (2017).
Photo: Peter Rigaud c/o Shotview Syndication
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Uraeus
Richard Calvocoressi speaks with Anselm Kiefer about the range of mythological and historical symbols in the creative person'due south sculpture Uraeus.
Anselm Kiefer: Uraeus
Taking viewers behind the scenes during the installation of Anselm Kiefer'south Uraeus at Aqueduct Gardens, Rockefeller Center®, New York, this video features interviews with Kiefer, Robin Vousden, Nicholas Baume, and Richard Calvocoressi. The speakers detail the conception, installation, and symbolism of this monumental public sculpture.
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Anselm Kiefer at the Royal Academy of Fine art
Anselm Kiefer discusses his work with Tim Marlow, director of artistic programs at the Royal University of Arts, on the occasion of his exhibition at the London establishment.
Fairs, Events & Announcements
Friday, March 4, 2022
Phillips, London
www.phillips.com
As function of Phillips's 20th Century & Contemporary Art Mean solar day Sale, donated works by artists including Edmund de Waal, Anselm Kiefer, and Gerhard Richter volition be offered in support of the Warburg Renaissance, a projection to enhance the Warburg Establish's facilities and programming. Proceeds will help fund the completion of the Institute's renovation and expansion, led by Stirling Prize–winning compages house Haworth Tompkins, besides as provide support for new exhibitions, residencies, and commissions for contemporary artists, writers, and thinkers. The artworks are viewable at 30 Berkeley Square in London from February 23 to March 3.
Edmund de Waal, Einmal, 2020 © Edmund de Waal
Tuesday, March 1, 2022, 12pm EST (5pm BST)
Join the Warburg Found and Gagosian for an online panel discussion about word, image, and retentiveness as it relates to the Found's founding mission and the work of Anselm Kiefer. The conversation takes place on the occasion of a benefit auction hosted past Philips on March iv to heighten funds for the Warburg Renaissance, a project that aims to heighten the Institute's academic resources, teaching facilities, and public programming. Bill Sherman, director of the Warburg Institute, and Richard Calvocoressi and Robin Vousden, both directors at Gagosian, will discuss the painting Kiefer has donated, der Morgenthau-Programme (The Morgenthau Programme) (2021). To nourish the event, register at sas.sym-online.com.
Anselm Kiefer, der Morgenthau-Program (The Morgenthau Plan), 2021 © Anselm Kiefer
Th, April 15, 2021, 2pm edt
Sarah Sze will talk over her recent exhibition catalogue De nuit en jour/Night into Twenty-four hour period—featuring contributions by Bruno Latour, Jean Nouvel, and Leanne Sacramone—with Anselm Kiefer and philosopher Emanuele Coccia, as function of the Fondation Cartier pour l'art contemporain's Art Book Serial. Sze will join from her studio in New York, while Kiefer and Coccia will speak from inside the exhibition Night into Day at Foundation Cartier. The trio will talk about Twice Twilight and Tracing Fallen Sky(both 2020), two works Sze created specifically for the Paris exhibition, and about Kiefer's recently installed work at the Panthéon in Paris.To bring together the online upshot, visit world wide web.fondationcartier.com.
Sarah Sze, Tracing Fallen Sky, 2020 (detail), installation view, Sarah Sze: Night into Twenty-four hours, Fondation Cartier cascade l'art contemporain, Paris © Sarah Sze
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Museum Exhibitions
On View
Anselm Kiefer
Questi scritti, quando verranno bruciati, daranno finalmente united nations po' di luce (Andrea Emo)
Through Oct 29, 2022
Palazzo Ducale, Venice
palazzoducale.visitmuve.it
This exhibition of new work by Anselm Kiefer, whose title loosely translates to These writings, when burned, will finally cast a little low-cal, coincides with the 59th Biennale di Venezia and takes its title from the writings of the Venetian philosopher Andrea Emo (1901–1983). Kiefer was invited by the Fondazione Musei Civici di Venezia to present a site-specific installation of paintings that reply to both the Sala dello Scrutinio—one of the most important spaces in the Palazzo Ducale—and the history of Venice.
Installation view, Anselm Kiefer Questi scritti, quando verranno bruciati, daranno finalmente un po' di luce (Andrea Emo), Palazzo Ducale, Venice, March 26–October 29, 2022. Artwork © Anselm Kiefer. Photograph: Andrea Avezzù
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Anselm Kiefer
Cascade Paul Celan
December 16, 2021–January xi, 2022
1000 Palais Éphémère, Paris
www.grandpalais.fr
Xv years after inaugurating the Monumenta series at the Grand Palais in 2007, Anselm Kiefer is the first artist to realize a new project that engages with the unabridged space of the Chiliad Palais Éphémère. Continuing Kiefer's work on European retention, the exhibition includes sculptures, installations, and nineteen big-scale canvases informed by the verses of the German language-language poet Paul Celan.
Anselm Kiefer,Irrennäpfe, 2021 © Anselm Kiefer. Photo: Georges Poncet
Airtight
Inferno
October fifteen, 2021–Jan 9, 2022
Scuderie del Quirinale, Rome
www.scuderiequirinale.it
This exhibition celebrates the Florentine poet Dante Alighieri, and the 700th anniversary of his decease by gathering together two hundred artworks that investigate mod interpretations of the infernal universe, its landscapes, and its inhabitants. Work past Anselm Kiefer, Gerhard Richter, and Auguste Rodin is included.
Installation view, Inferno, Scuderie del Quirinale, Rome, October 15, 2021–January 9, 2022. Artwork © Anselm Kiefer. Photo: Alberto Novelli
Airtight
Multifariousness United
Contemporary European Art
June ix–October x, 2021
Flughafen Tempelhof, Berlin
world wide web.stiftungkunst.de
Presenting work past more than than xc established and emerging artists from thirty-4 countries, Multifariousness United reflects the diversity and vitality of Europe'southward gimmicky art scene. The exhibition, which volition travel to venues in Moscow and Paris, sheds light on subjects such as freedom, republic, migration, territory, and political and personal identity. Work by Georg Baselitz, Anselm Kiefer, Gerhard Richter, Tatiana Trouvé, and Rachel Whiteread is included.
Rachel Whiteread, Untitled, 2010, installation view, Flughafen Tempelhof, Berlin © Rachel Whiteread
See all Museum Exhibitions for Anselm Kiefer
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